Archive for July, 2008

A tale best not heard

July 28, 2008

Disappointment is around the corner for anyone that reads the manga Fairy tail; it’s an absolutely dreadful manga devoid of many elements that make Shonen good. There is little promise to be found in this manga, it’s character, plot and sagas are all bottom of the barrel and fail to conjure any feeling of accomplishment, save wasting time or, apathy at best. Reading this manga was a chore as oppose to a treat a true sign that it should avoided. It was hard coming up with all the reasons why this manga is utter disappointment (I needed a list to remember them all), but hopefully I can mention enough reasons for you to stay away from reading it (please take my word for this or you’ll regret it).

The most forgivable element of this work is the art, though even it is a sign to stay away from this story. The artwork in this work lacks anything that captures the eye at all, backgrounds in this work are simple and one-dimensional or non-existence making them nothing especially interesting nor are they the worst I have seem though. Character design is even worse then the background is, this is because many of the male character look almost identical. This problem isn’t too confusing because you can tell the difference in characters in their clothing, however this is clearly sign of bad design and of cut corner (this is only one of many of such signs). The worst feature of character design is the expressive ability of the character or rather the lack their of. Character’s abilities to express are at best at the very bare bones and at times even difficult to discern. In hopes of covering this flaw the artwork of a slightly zany nature, however it looks a lot like poorly mimicked form of something found in One Piece leaving you with a flat feeling after reading. This is only one of the many places this series steals from it’s superior counter part and shows it’s inability to create something original.

The art could be passable for me if this work provided a good story behind it, however the story is even worse then the art it’s self making this all the more painful to read. The story revolves around a skimpily dressed girl named Lucy who is brought into a group of outcaste mages in a powerful guild known as Fairy Tail. The other main character a fire mage raised by dragons who supposedly full of potential (wow big surprise here *groan*) named Natsu is the other main and later is typically the most important character of the story. The objectives of most stories revolve around doing missions for the guild or protecting the guild from attacks all while avoid the wrath of the mage council, a sinister group of mages based in order whose leaders whose identities remain mostly in the shadows.  This should sound familiar to you if you’ve read One Piece or Naruto, far too similar in fact. It takes from One Piece the idea about an outcaste group of misfits and it’s attitudes revolving an evil authority. The mission segment (down the ranking system) occurs in a similar fashion as Naruto and the magic is almost identical to the Charka system in Naruto. Not only though does this manga barrow (or steal depending on how you look at it), but it’s pacing is a terrible mess. It tries far too hard to be funny in a style like One Piece, it usually ends up falls on it’s face with the jokes however making it feel crusty and out of place. The action never has any sort of suspense, it’s always seems to cycle into a formula of a hero fights rival enemy or henchman and always wins without suspense. It is not only clear the hero will win each of his or her battles, but also it is also so obvious that it can’t even make you believe the hero has any chance of serious injury or defeat. Also, unlike many other shonen manga’s like Runouni Kenshin it is obvious that the objective of the manga is to get these fights with bad dialogue and poorly thought out plot, always quickly boiling down to lets fight the baddies similar to Dragon Ball Z.

The worst offense of this work has to be the shoddy and unoriginal characterization, which is almost completely stolen from other works. Natsu is the most obvious of these characters; he is almost a complete mirror of Monkey D. Luffy. His smile, his vest, catch phrases and, oblivious and brave nature all mirror Luffy own personality in a pale way. His gun ho and impatient nature mimics the personality shown by Naruto. This is only one example of the copycat attitude. Lucy mimics the early Sakura, in the sense that she seems useless for the most part when the male characters are around in an outright fight and is the assists the teams instead. She however lack any sort of good resemblance to other manga females and she is created mostly for comedy or as to help in tasks with her zodiac summoning, much like the role of Kagome does in Inuyasha. Typically though she simply an excuse for a pin up model and a possible romance (and maybe even a Mary Sue for female readers) for Natsu, she really contributes little to the story beyond set up except for generic assistive jobs. I could go on and on describing how Grey a ice mage mimics the early Sasuke before leaving the leaf village, how Makarov the guild master steals from Luffy and Jiraiya and how typically and uninteresting Erza authoritative character is in detail, but it would be long and I think I have made my point Each character has only a few important personality traits beyond a few quirks, each character both good and evil typically have similar traits to one or another making character uninteresting and predictable without many surprises (whenever I was surprised it was a bad thing in almost all cases).

I’ve heard many reviews saying that this work is passable or okay for what it is. I see this work though as unacceptably unoriginality, poor in story and pathetic in characterization. It angers me a great deal when reviews give the excuse the problems in this manga, sighting that because the work is for young males as though this makes lower quality of work. A good Shonen manga should be enjoyable and contain a story and characters that appeal to all genders and to all ages that it is appropriate to target. This ability to appeal to the masses is what makes manga’s like Naruto, Bleach and One Piece so successful and I think it is unjust not to hold a work like Fair Rail to such a standard. So do yourself a favor and if you want a zany and fun adventure manga pick up some One Piece.

Dororo: A trip into Tezuka’s mind

July 14, 2008

I’ve read many of Tezuka’s US releases that have many genera’s, but none of them are quiet like the manga Dororo. This manga is a samurai shonen manga like no other and goes even one set further in imagination and oddity then any other Tezuka work I have read before it. The plot includes some of the story writing design ever, while still remaining simple and easy to follow. Even for a Tezuka manga known in Japan as the “God of comics,” this work shines out as one of his greatest and is almost unbelievably strange and effective. This manga is so good that it makes Inuyasha look like child’s play and is a most read for its fans. This is one book you can easily judge by its cover, which prepares you for what lies within it.

From the cover you know your in for a wild ride with this manga, even if you were to simply flip through it surprises await you at every turn of a page. First off all the characters in the manga are one of a kind even minor villains have a great detail about them all the time. As in all of Tezuka’s works the characters faces emote clearly and effectively the emotions they feel, as well as their underlying personality traits making them feel like real people while still remaining entertaining to view. What however, stands out in this manga is the monsters and violence exhibited in it. This has got to be one of Tezuka’s most violent works as it is filled of blood and death constantly. Even sandals bleed (they are possessed by a spirit of the dead) graphically spilling bloodstains cross the panels. As for the monsters they show why Tezuka got his nickname, the strange demonic figures in this book are everywhere in all shapes and sizes some amusing (like the imps with large silly eyes) while other monstrous and frightening (like a monstrous pile of weeds that strip the flesh and take the shape of a behemoth.) Every monster is draw with just as great (if not better) care and craftsmanship as the characters themselves no matter what their size is. This manga is a masterwork of art, which alone is worth money it cost to buy.

I no other manga have I read such a strange and interesting tale, it almost too strange to be real book. The manga starts with the main characters back-story where the greedy Lord Daigo trades forty-eight of his unborn child’s body parts in return for having the power to rule Japan. After his wife gives birth to his son missing almost all of his body, the lord then forces her to discard the child in basket down a river. Then the manga quickly returns to present setting (ancient Japan) where you meet the child this time as an adult who kills a group of bandits threatening him. He is then stalked by every thing imaginable including sandals, a dog, a baboon and grass all possessed by a dead spirit who is after him, he constantly kills them all (causing them to bleed all over the place) with his sword blades he hides underneath prosthetic arms and continues to travel on ward. He then comes the young thief Dororo and saves him from the spirit who takes on a form of acidic leafs. Dororo is bold young kid and instead of thanking him, decides despite being threatened many times to travel with his friend and steal the blade on the hero’s arm.

This leads to a flash back continuing the main characters history after it is revealed that his tongue, ears, nose and eyes are fakes and, he tells Dororo of his past. The main character is saved by a kindly doctor who cares for him and later creates him fake limbs allowing him to pass for a normal person is appearance. It is also discovered that the main character does not speaks or hears and instead expresses through the use of telepathic powers and also can sense demonic auras, as well as some of people’s emotions. Eventually demons come to the doctor’s house to the point where he can no longer bare it any longer and are hero knowing must depart. The doctor names his adopted son Hyakkimaru, equips him with a fine sword blade of a general attaching it to his prosthetic hand along with giving him the blades hilt as a parting gift. Hyakkimaru encounters an old monk who is a sword master and who is also blind and he follows the monk to a village ravaged by war and, helps the children of the village. He finds love as well with girl named Mio who also helps the children. In the village he trains with his blade by helping the villagers and becomes an expert. His love for Mio grows even though he has never seen her or heard her voice and things seem to be at peace. This peace is short lived though as the soldier’s return once again killing remaining children and Mio. He gets revenge then killing the soldiers in a brutal fashion enrage by them and leaves again to begin his quest.

He sets out to slay the demons that stole parts of his body each time he kills one regaining a body part taken from him. He continues to travel with Dororo who helps him as well as get them into trouble with villages frequently. In his further journeys he helps defeat a sword that possesses people and is out for blood, a she devil from Japanese myths with a weird tumor like tail that possessed her (like the one found in the BLACK JACK story “the face affliction,”) and we discover the tragic upbringing of the young thief himself, which is like wise tragic.

The weakest element of this work really is characterization and even it is better then most work. The characters act in a believable manner and have interesting personalities, however what is more interesting then the personalities of the characters is definitely their stories revealing their reasons for acting the way they do. This is definitely clear made clear by the story of the Hyakkimaru, his past clear makes him who he is entirely. If it weren’t for the plot he would be much less interesting and despite his cunning he would be no more then an average hero, without his strange past. Dororo does better as a stand-alone character (his back story is not told till much later), because he is a comically braggart and thief disliked by many people around him, but overall he is good person that just seems to get suck in bad situations (and only tolerated by Hyakkimaru). However, even he needs a back-story involving his father and mother who become bandits short after his birth, because their village is destroyed and they loath all samurai for destroying their village. Eventually his father is betrayed by a fellow bandit and his father becomes crippled by arrows. Later he dies after being angered by a samurai woman’s charity and attacking her guards, this makes the reader feel for him despite his brutal nature. His mother then becomes too poor at this point to feed herself and Dororo and, dies of hunger as she feed her son (this is a little weak of an excuse for her to die, but interesting non the less). These traits show why Dororo is so greedy as to risk his life for a sword and why he constantly is trying to prove himself a great thief in honor of his parents sacrifice for him. For this sort of genera characterization I think reader look more closely at characterization because of the nature of the story thus making it more important. For this reason even though this isn’t his best characterization it is still leaps and bounds better then many other writers.

Overall this is one of the strangest and best titles Tezuka ever wrote and is a most read. It is clear that Tezuka was allowed with this manga to pull out all of his tricks and he does so. The art is some of his best, the story one of his most creative and characterization still amazing especially for a Shonen manga. I think that everyone should read this even if they are not manga fans. So if you like Tezuka, shonen, Japanese fairy tales, Samurai’s or manga for that matter get a hold of this book you’ll enjoy it.

Sanchez returns to get it into your soul

July 6, 2008

Out of sightI loved Poncho Sanchez’s album Chile Con Soul, but still it can’t be compared to the album Out of Sight. This album still blows me away every time I listen to it and is truly greatest the Sanchez album I have listened to. Every little element is almost built to perfection and feels naturally soulful. However, what really makes this one of the greatest Latin jazz and funk albums of all time has to be the guest musicians. The combination of theses greats plus Sanchez at the top of his game makes this one amazing album.

The style of this album is a mix of Sanchez’s own brand of Latin jazz and salsa combined with various mixtures of soul and funk. Surprisingly Sanchez’s own style turns out to mix with ease into the other styles on this album to create a blend with fire and a touch of cool at the same time. Again the main reason this album works is the rhythm section, which falls into a groove and makes everything feel good. The rhythm helps bring into the music’s Latin and funk flavor with a tight moving sound.

The line up in this album is simply outstanding because of the work of Sal Vasquez and Poncho along with other top topnotch rhythm section player, which beat out a powerful clave and propels the music forward. The solo groves that Sanchez’s lays down are amazing to hear and catch your interest properly (making you feel the pulse). Along with rhythm section is the B-3/piano player David Torres, he is a breath-taking player and almost seems like he was made for the album. His solos have a wonderful use of tension and release, but it is his fills that really catch the ear propelling the music to an ever-higher level of soulful grove.

What makes this one of the greatest albums of all time is the great guests and how they mix into the songs, changing the feeling of the group completely. The most important of the guests are Pee Wee Ellis and Fred Westely who fit in well in the section work with Sanchez’s own band and whose solos complete the sound and style of “Jb’s strut”, “Hitch it to the horse,” “Out of sight,” “Mary Ann,” and “One Mint Julep.” Ray Charles classic singing in “Mary Ann,” combined with the band transforms the song meaning and gives it an extra bunch of spice making it one of a kind. “Hitch it to the horse,” is simply pure energy and makes you want to get up and dance to it’s beat of Sam Moore.

The only bad thing I can really come up with is that this album has many of the songs have the same sort of grove, but since the beat is so amazing this really isn’t much of a complaint. If you love music of any sort, you’ll love this album. There really nothing more satisfying then listening to albums with such quality like this one. So get this album if you don’t have it already and prepare to hear it again and again (it’s well worth your time to hear even again one more time).

Tracks:

1. One Mint Julep
2. El Shing-A-Ling
3. Hitch It To The Horse
4. Saints & Sinners
5. Mary Ann
6. Not Necessarily
7. Conmigo
8. JB’s Strut
9. Out Of Sight
10. El Tambor Del Mongo
Personnel
Poncho Sanchez congas, percussion, lead vocals on tracks 2, 3 & 9
David Torres piano, Hammond B-3 Organ
Tony Banda bass, background vocals
George Ortiz timbales
Sal Vasquez bongos, congas, percussion, background vocals, Tres/Guitar
Serafin Aguilar trumpet, flugelhorn
Scott Martin alto, tenor, baritone saxophones, flute
Francisco Torres trombone, background vocals

Featuring:
Ray Charles vocals (tracks 1 & 5)
Pee Wee Ellis tenor saxophone (tracks 1, 3, 5, 8, 9)
Fred Westley trombone (tracks 1, 3, 5, 8, 9)
Billy Preston Hammond B-3 Organ (track 1)
Joey Heredia drums (tracks 1, 3, 5, 8, 9)
Dale Spalding harmonica (track 5)
Sam Moore vocals (track 3)
Francisco Aguabella bata drums (track 10)